Book Launch: Rachael Swain – Dance in Contested Land – new intercultural dramaturgies

Book launch

Rachael Swain


Dance in Contested Landnew intercultural dramaturgies

In Dance in Contested Land—new intercultural dramaturgies, Rachael Swain traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba and Nyikina in north west of Australia. In the face of colonial legacies and extractive capitalism, Swain examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler and European artists during a period of intense choreographic development for the company between 2012–2016, Swain closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram’s solo Gudirr Gudirr (2013) and the multimedia work Cut the Sky (2015). Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion and responsibilities through sites of Indigenous resurgence and experimentation.

To launch Dance in Contested Land scholar and dramaturg Peter Eckersall will interview Marrugeku’s co-directors; director/scholar Rachael Swain and dancer/ choreographer Dalisa Pigram to discuss Marrugeku’s practice of listening to Country and its implications for corporeal and visual dramaturgies.

Peter Eckersall teaches at the Graduate Center, City University New York, and is an Honorary Professorial Fellow at the University of Melbourne. His recent publications include The Routledge Companion to Theatre and Politics, with Helena Grehan (2019), New Media Dramaturgy, with Helena Grehan and Ed Scheer (2017) and Performativity and Event in 1960s Japan (2013). He has worked as a dramaturg for more than twenty years and is a co-founder of the Not Yet It’s Difficult performance group based in Melbourne.  

Dalisa Pigram is a Yawuru and Bardi woman born and raised in Broome, north-western Australia. Co-artistic Director of Marrugeku, together with director and dramaturg Rachael Swain, Dalisa is a dancer and choreographer with the company and has been a co-devising artist on all productions, touring extensively internationally, nationally and to remote regions of Australia. In her community, Dalisa coordinates and teaches the Yawuru Language Programme at Cable Beach Primary School and is committed to the maintanence of Yawuru language and culture through the arts and education.

Rachael Swain is a settler artist, born in Aotearoa New Zealand. She is Co-artistic Director of Marrugeku, together with Yawuru dancer and choreographer Dalisa Pigram. She works between the land of the Gadigal in Sydney and the land of the Yawuru in Broome. Rachael is a director and dramaturg of intercultural and trans-disciplinary dance projects, a scholar and a practice-led performance researcher. Since the company’s founding, she has co-conceived and directed many of Marrugeku’s productions, which have toured throughout remote and urban Australia and around the world.

Book Launch: Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond – edited by Ulrike Garde and John R. Severn

Book Launch

Ulrike Garde and John R. Severn

Macquarie University

Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond

Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage. 

With central examples drawn from Australia and Germany from the 1930s to the present day, the book considers theatre and internationalization through a range of theoretical lenses and methodological practices, including archival research, aviation history, theatre historiography, arts policy, organizational theory, language analysis, academic-practitioner insights, and literary-textual studies. While drawing attention to the ways in which theatre and internationalization might be contributing productively to each other and to the communities in which they operate, it also acknowledges the limits and problematic aspects of internationalization. Taking an unusually wide approach to theatre, the book includes chapters by specialists in popular commercial theatre, disability theatre, Indigenous performance, theatre by and for refugees and other migrants, young people as performers, opera and operetta, and spoken art theatre. 

An excellent resource for academics and students of theatre and performance studies, especially in the fields of spoken theatre, opera and operetta studies, and migrant theatre, Theatre and Internationalization explores how theatre shapes and is shaped by international flows of people, funds, practices, and works.

Ulrike Garde (German Studies, MCCALL, Macquarie University) specializes in research in German intercultural studies and theatre. She currently investigates multilingualism on the Berlin stage. Her most recent book, co-authored with Meg Mumford, is Theatre of Real People: Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond (2016).

John R. Severn is a Research Fellow at Macquarie University. He is the author of Shakespeare as Jukebox Musical (Routledge, 2019) and is currently working on an Australian Research Council-funded Discovery Project on the economic and cultural value of theatre in Australia.